Broken Legend's eFootball tactics: #1

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Compact 3-4-3 strategy
by u/the_brokenHand in eFootball



DIRECT QUOTE FROM REDDIT'S ORIGINAL POST

Compact 3-4-3 strategy

PES' maestros going full power in a new engine.

INHERITED STRUCTURE FROM RANKING ON PES2021, STILL A POWERHOUSE TODAY.

With these players I ranked on PES2021 since I got that one manager with 2CF backed by a SS 🫀 and I never let go 🧠 Still winning against top gamers using these reliable maestros.

I recommend to set-up for Long Ball Counter but play in practice a never-ending front-footed tiki-taka: either the ball, you or your teammate move forward on every touch, this way even a side pass gets you closer to the goal.

Most of my ball recoveries are on the rival's side of the pitch. Very safe for me and very dangerous for the opposition.

Used to have iconic Rummenigge instead of Mbappé and I miss him so much. Maybe Lautaro would feel more similar?

In any case, the core of the team can move around any way in midfield. This is a highly versatile selection.

When familiarized, you'll be winning exciting games against highly ranked players. Beating top300 ranked regularly even with a keyboard, since technical & strong doesn't need much micro trickery, and perfectly counters weak but skillful sides. Neymar and Vini will disappear.

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[tip] Move Paul Scholes into SS position as surprise second half move: Unstoppable attack.

[tip] Also, Gnabry is there to replace Mbappé against teams that don't leave space in behind. Marvellous outside curler with a fenomenal mobility inside crowded areas.

[tip] This Havertz is not the beast it was. Scholes and Alaba can do the job on the left, and Pavard is trained as a DMF/CB (maxed pass and maxed defence), so Koundé can move to RMF and track-back or man mark.

[tip] de Ligt is a great DMF if you're struggling against a stronger opponent or a pay-to-win kid.


Original drafts first published via Instagram at Broken Legend Gaming's new page.


POP

Actores y Agentes en los Flujos Culturales

Actores y Agentes en los Flujos Culturales
muerta su función, un actor inerte se vuelve agente a través de la resignificación continua y recurrentemente impregnada en su materialidad. la ciudad se encarga del mantenimiento de monolitos espontáneos, haciéndoles participar de su propio flujo cultural, hasta que tanto lo artificial como lo fantasmagórico aparecen únicamente en el ejercicio analítico: la agencia emergente es, en este punto, autopoyéticamente patente.

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